January 2018 Archives

DeepSoul: Hugh Masekela - "Afro Beat Blues"

The Afro-jazz legend blended other genres such as R&B, funk, and pop to create a pan-African sound that appealed to worldwide audiences.
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Called the "father of South African jazz," Hugh Masekela actually spanned several genres to create his own melting pot music. Perhaps best known for his 1968 instrumental hit "Grazing in the Grass," Masekela also became a pioneer in world fusion. The trumpet and flugelhorn player even dabbled in dance music, mixing Afro-pop with disco. One such example is "Afro Beat Blues," a previously unreleased 1975 track that finally surfaced on a 2006 compilation. Its slinky beat suits the dance floor as well as the radio, also paying tribute to the father of Afro-pop: Fela Kuti. Growing up in South Africa,

CD Review: Bobby Darin & Johnny Mercer - Two Of A Kind

Two giants from different eras make magic with a big assist from Billy May
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In the early 1960s, Bobby Darin's manager Steve Blauner had a brainstorm: he wanted Darin to cut an album with famed lyricist/singer/composer Johnny Mercer with arrangements by Billy May. Darin was 24 at the time and Mercer was 51 and the record was a major nod to the Tin Pan Alley songs of old. While this might seem a recipe for disaster, quite the opposite happened. The pair had immediate chemistry and a playful camaraderie that is evident throughout. Add in the hard swinging sounds from May, who had worked with the likes of Frank Sinatra, and the resulting album,

DeepSoul: Pieces of a Dream - "Fo Fi Fo"

With their 1984 hit, Pieces of a Dream demonstrated that jazz has more in common with soul, R&B, and funk than listeners may realize.
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Take three gifted teenagers equally versed in jazz and R&B, and what results is the crossover jazz sound of Pieces of a Dream. Still recording today, the group helped pioneer contemporary jazz with their smooth sound, pop hooks, and street feel. Their third album, 1983's Imagine This, proved to be one of their most successful due to the silky single "Fo Fi Fo." Philadelphia has spawned an impressive array of talent, and its roster includes keyboards James Lloyd, drummer Curtis Harmon, and bassist Cedric Napoleon. The teen musicians formed the group in 1976 and played throughout the Tri-State area. Their

CD Review: The Blind Boys Of Alabama - Atom Bomb

This mid-2000s Blind Boys Of Alabama classic has been reissued with bonus tracks.
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By the mid-2000s, The Blind Boys of Alabama were in the midst of a late-career resurgence that saw the group being introduced to new audiences and receiving critical acclaim and numerous awards. Continuing this hot streak was Atom Bomb, an album that featured several guest stars and showcased the group's signature blend of gospel, blues, R&B and rock. Originally released in 2005, the album has been rereleased with bonus tracks and expanded liner notes. The album opens with "(Jesus Hits Like The) Atom Bomb," a song that likens the return of Jesus Christ to that of an atom bomb and

CD Review: The Blind Boys Of Alabama - Go Tell It On The Mountain

The Blind Boys of Alabama's Christmas album rereleased with bonus tracks.
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Despite having been around for over 50 years at that point, The Blind Boys Of Alabama never recorded a Christmas album until 2003's Go Tell It On The Mountain. The album came during a period of renewed interest for the group that saw them reaching wider audiences, opening for (and performing on the albums of) the likes of Peter Gabriel and winning multiple Grammy Awards. The album featured the groups trademark harmonies, matched by an eclectic list of guest stars such as Tom Waits and Aaron Neville, and has been rereleased with bonus tracks. The album opens with "Last Month

Blu-ray Review: Black Sabbath - The End

The final chapter for this legendary heavy metal band.
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From their debut nearly 50 years ago, no band has been more synonymous with heavy metal than Black Sabbath. After numerous lineup changes over the years, including a reunion with the Ronnie James Dio-era band for the Heaven and Hell project, fans of the original Black Sabbath finally got their wish when, in 2013, the group (albeit without drummer Bill Ward, who sat out due to contract issues and was replaced by Brad Wilk) recorded a new album, 13, with Ozzy Osbourne on vocals, their first since 1978's Never Say Die! After touring extensively for 13, the band, now with