The recent release of the posthumous collection You're the Man presents Marvin Gaye at a career crossroads. Coming off the massive critical and commercial success of What's Going On, he again incorporated political commentary on the planned followup to the classic album. The first inkling of the project was "You're the Man," the 1972 single cowritten with frequent collaborator Kenneth Stover. While the song failed to chart as high as previous singles, the track paints a fascinating picture of 1970s political and social turmoil and offers an emotional lead vocal from Gaye. "You're the Man" exudes a 70s sound from
April 2019 Archives
The 1972 single provides a snapshot of the turbulent early 1970 and its disillusionment with government--topics that still resonate today.
Best Intentions delivers hooky pop punk in the vein of blink-182.
Best Intentions is the latest band to come from the Nashville music scene, but don't think country music here. Best Intentions' sound is decidedly pop punk, with some elements of hard rock for good measure. Formed in 2016 in Philadelphia by guitarist Matthew Kleinman, the group was reborn a year later with a new lineup after Kleinman's move to Nashville. They are currently working on their debut album and, in the meantime, have dropped a catchy single "At The Ocean." The song mixes crunchy guitars with a melodic lead vocal courtesy of Tony Pietrafesa and a big, memorable chorus (think
A must-own compilation of previously unheard Wes Montgomery recordings.
In 2012, the Resonance label issued a collection of previously unheard Wes Montgomery recordings. That release, titled Echoes of Indiana Avenue, featured recordings made in Montgomery's home state of Indiana in the late 1950s. The tapes used on Echoes contained some three hours of music, a treasure trove for Montgomery fans, of pre-Riverside, pre-fame recordings. With precious little documentation, session recorder Carroll DeCamp went uncredited on the original release. A Montgomery disciple, Brook Reindollar and fellow pianist Lewis Porter, contacted Resonance Records' Zev Feldman, informing him it was DeCamp who made those recordings. Feldman made a promise to release the
The newly surfaced recording of the Bill Evans trio at Ronnie Scott's is a revelation.
In December 1969, Bill Evans played a series of shows at London's famed Ronnie Scott's jazz club with his then relatively new trio of Eddie Gomez on bass and Marty Morell on drums. The group would become his longest-running trio, playing with him until 1974. The group was on fire, feeding off each other's energy and playing at a very high level. Fortunately for fans, a recording exists of these remarkable shows. First released on vinyl for Record Store Day and now available on CD, Evans In England feels like a classic album, one that has been with us through
The Rose Ann Dimalanta Trio delivers a strong, versatile new album
Rose Ann Dimalanta has been a prolific and in-demand musician, releasing eight solo albums under the name of "rad" between 1992 and 2009, all while touring the world, both on her own and as a member of Prince's band for his Musicology tour. It's no surprise then that her latest release with the Rose Ann Dimalanta Trio, It's Time, boats world class musicianship and just a bit of that latter day jazzy soul sound Prince used to chase. It's also no surprise that other two members of the trio -- Raymond McKinley on bass and Massimo Buonanno on drums --
Ivan Beecroft gives rock a shot in the arm with Liars, Freaks & Fools
On his latest album, Liars, Freaks & Fools, Ivan Beecroft wanted to get back to the guitar-oriented rock he heard in the pubs in his native Australia in the 1980s and 1990s. In his own words, he wanted to "turn people back on to this music". If the guitar gods are just, Liars, Freaks & Fools will accomplish just that. The music offers a fresh take on a classic rock sound, with Beecroft wearing his influences on his sleeve, channeling the likes of AC/DC, Cheap Trick, and Nirvana, without sounding derivative. The album opens with the driving hard rock of
The planned followup to What's Going On was shelved in 1972; 47 years later, it finally sees an official release.
After a slew of successful singles in the 1950s, Marvin Gaye started the next decade with a staggering work: What's Going On, a socially conscious album commenting on topics of the day. He continued his exploration of topics including sexuality and divorce in works such as Let's Get It On, I Want You, and Here My Dear. But in 1972 Gaye recorded the followup to Let's Get It On: You're the Man, an album that further examined political issues. However, when the lead single "You're the Man" failed to cross over to the pop charts, he decided to shelve the
Joan Torres issues a killer final album in a four-album story.
Joan Torres has certainly kept busy with his fusion band All Is Fused. Over the last seven years, the group has released three albums -- Before, The Beginning, Of The Musical and his latest, Revolution. The albums share similar artwork and musical themes and their titles, when combined, seem to make a statement about where All Is Fused is headed musically. On Revolution, the band mixes Latin elements with funk, rock, jazz, and prog rock to form an exciting sound. With a title such as "Before the Musical Revolution," the players had better be able to back it up and
Erich Mrak blends pop, hip hop and electronic music in a strong new single.
Toronto native Erich Mrak has been on quite the creative role, releasing a single each month this year through June in a planned six-song rollout. His latest, "Fake It," is a pop tune that straddles the line between electronic and hip hop and showcases excellent production from Bento. The song opens with a jittery keyboard over sparse piano before the song fully kicks in, with lush keyboards, drenched in reverb over a more traditional hip hop beat. Mrak's monotone vocal delivery works here, given the subject matter of a person afraid to show his true feelings of a relationship gone
Lillimure offers an uplifting view of some of life's harsh realities with her bouncy new single.
Singer-songwriter Lillimure's latest single, "Something," gives a positive spin on some of the negative aspects of everyday life and making the best of everything. Its chorus stresses that "everything happens for a reason" and while Lillimure may not believe it, it is "Something to hold onto." The song showcases electric pianos played over a bouncy, jazzy, beat with sparse guitars tastefully accenting the track. Lillimure's vocals are strong, powerful, and soulful, sounding like those of a seasoned veteran and not a 19-year-old newcomer. She wanted to write a song about the obstacles one faces in life to succeed and she
Krigare delivers a fresh take on an '80s classic.
To say Krigare has lived a full life is an understatement. She backed Kelly Clarkson at the 2006 Grammys at the age of 8, she has collaborated with Grammy Award-winning writers, and she has had her music featured in the Netflix series Elite and in a trailer for Blake Lively's All I See Is You. She also survived two forms of cancer before she turned 18. Her name translates to warrior in Swedish and she certainly lives up to that moniker. Her latest single is a cover of A-ha's '80s classic "Take On Me." While the song's familiar melody is