April 2019 Archives

Album Review - Ivan Beecroft - Liars, Freaks & Fools

Ivan Beecroft gives rock a shot in the arm with Liars, Freaks & Fools
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On his latest album, Liars, Freaks & Fools, Ivan Beecroft wanted to get back to the guitar-oriented rock he heard in the pubs in his native Australia in the 1980s and 1990s. In his own words, he wanted to "turn people back on to this music". If the guitar gods are just, Liars, Freaks & Fools will accomplish just that. The music offers a fresh take on a classic rock sound, with Beecroft wearing his influences on his sleeve, channeling the likes of AC/DC, Cheap Trick, and Nirvana, without sounding derivative. The album opens with the driving hard rock of

DeepSoul: Marvin Gaye's Posthumous Album You're the Man

The planned followup to What's Going On was shelved in 1972; 47 years later, it finally sees an official release.
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After a slew of successful singles in the 1950s, Marvin Gaye started the next decade with a staggering work: What's Going On, a socially conscious album commenting on topics of the day. He continued his exploration of topics including sexuality and divorce in works such as Let's Get It On, I Want You, and Here My Dear. But in 1972 Gaye recorded the followup to Let's Get It On: You're the Man, an album that further examined political issues. However, when the lead single "You're the Man" failed to cross over to the pop charts, he decided to shelve the

Album Review - Joan Torres's All Is Fused - Revolution

Joan Torres issues a killer final album in a four-album story.
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Joan Torres has certainly kept busy with his fusion band All Is Fused. Over the last seven years, the group has released three albums -- Before, The Beginning, Of The Musical and his latest, Revolution. The albums share similar artwork and musical themes and their titles, when combined, seem to make a statement about where All Is Fused is headed musically. On Revolution, the band mixes Latin elements with funk, rock, jazz, and prog rock to form an exciting sound. With a title such as "Before the Musical Revolution," the players had better be able to back it up and

Single Review: Erich Mrak - Fake It

Erich Mrak blends pop, hip hop and electronic music in a strong new single.
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Toronto native Erich Mrak has been on quite the creative role, releasing a single each month this year through June in a planned six-song rollout. His latest, "Fake It," is a pop tune that straddles the line between electronic and hip hop and showcases excellent production from Bento. The song opens with a jittery keyboard over sparse piano before the song fully kicks in, with lush keyboards, drenched in reverb over a more traditional hip hop beat. Mrak's monotone vocal delivery works here, given the subject matter of a person afraid to show his true feelings of a relationship gone

Single Review: Lillimure - Something

Lillimure offers an uplifting view of some of life's harsh realities with her bouncy new single.
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Singer-songwriter Lillimure's latest single, "Something," gives a positive spin on some of the negative aspects of everyday life and making the best of everything. Its chorus stresses that "everything happens for a reason" and while Lillimure may not believe it, it is "Something to hold onto." The song showcases electric pianos played over a bouncy, jazzy, beat with sparse guitars tastefully accenting the track. Lillimure's vocals are strong, powerful, and soulful, sounding like those of a seasoned veteran and not a 19-year-old newcomer. She wanted to write a song about the obstacles one faces in life to succeed and she

Single Review: Krigare - Take On Me

Krigare delivers a fresh take on an '80s classic.
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To say Krigare has lived a full life is an understatement. She backed Kelly Clarkson at the 2006 Grammys at the age of 8, she has collaborated with Grammy Award-winning writers, and she has had her music featured in the Netflix series Elite and in a trailer for Blake Lively's All I See Is You. She also survived two forms of cancer before she turned 18. Her name translates to warrior in Swedish and she certainly lives up to that moniker. Her latest single is a cover of A-ha's '80s classic "Take On Me." While the song's familiar melody is