Rolling Stone calls it the "working man's blues," and "Blue Monday" does demonstrate rock's indebtedness to the genre. While Fats Domino did not write the track--he was not even the first to record it--he transformed the song into a memorable blend of rock, blues, country, and New Orleans jazz. What results is a track addressing a subject with which most listeners can relate, along with a dose of good-natured naughtiness. Domino's longtime collaborator Dave Bartholomew originally penned "Blue Monday" for New Orleans R&B singer/guitarist Smiley Lewis. Released as a single in 1954, this version prominently features rhythm guitars, horns, and
Results tagged “Deepsoul”
Our salute to the R&B pioneer continues with a 1956 classic first introduced in a seminal rock film.
This week's DeepSoul is the first in a three-part salute to the rock and roll pioneer.
One of the early architects of rock and roll, Fats Domino combined R&B with New Orleans swagger to create a feel-good but raunchy form of music. Lyrics such as "I found my thrill on Blueberry Hill" leave little doubt as to the nature of that thrill, but Domino's radiant smile and rollicking piano never offended. A huge part of rock history was lost upon his October 24, 2017 death. but his timeless catalog will remain for new fans to discover. This week's DeepSoul is the first in a three-part salute to the music pioneer. Born in the Big Easy in
Tom Petty, soul artist? His first hit single melds elements of R&B with rock and blues, making the track a standout in his catalog.
The music world has been mourning the loss of Tom Petty, the iconic rock artist who died from cardiac arrest on October 2. What few critics and fans have discussed, however, is that Petty's sound encompassed genres besides rock, namely blues, country, and folk. Another major influence that has been little explored is R&B, and that element permeates his first hit, 1976's "Breakdown." Its dominant drums, bass, and keyboards along with Petty's snarling narrative of a deteriorating love affair makes "Breakdown" sound like no other song in Petty's catalog. Coming off the breakup of his band Mudcrutch, Petty formed a
A slice of late '70s funk/disco, "Which Way Is Up" remains an underrated track by an unjustly neglected group.
A slice of late 70s funk/disco, "Which Way Is Up" remains an underrated track by an unjustly neglected act: Stargard. A female trio who drew comparisons to Labelle (particularly through their flamboyant costumes) and the Pointer Sisters, they achieved only one hit with the theme song to the 1977 Richard Pryor vehicle Which Way Is Up? Their blend of R&B, funk, and gospel should have achieved more success, but their lack of smash followup led to their 1983 breakup. The original lineup consisted of Rochelle Runnells, Debra Anderson and Janice Williams, and their more gritty, aggressive vocal approach led to
The jazz pioneer impacted modern hip hop, r&b, and funk in this 1973 classic.
Herbie Hancock may be a renowned jazz master, but he also influenced early hip hop and contemporary R&B. Most listeners can point to 1984's "Rockit" as the soundtrack for breakdancers, but his 1970s experiments in fusion led to an important track in the development of funk: 1973's "Chameleon." The corresponding album, Head Hunters, became not only Hancock's most successful album, but one of the bestselling jazz albums of all time. Along with collaborator and reedits Bernie Maupin, bassist Paul Jackson, drummer Harvey Mason, and percussionist Bill Summers, Hancock wrote material expanding the very concept of jazz. "I always enjoy working
The 1963 single has experienced an unlikely resurgence of interest through covers, samples, and an appearance in a 2017 summer film.
With its prominent use in the Summer 2017 film Baby Driver, "Harlem Shuffle" by Bob and Earl has gained renewed attention. The Rolling Stones previously scored a hit with their hit 1986 cover (featuring Bobby Womack on backing vocals), accompanied by its humorous Ralph Bakshi and John Kricfalusi-directed video. The 1963 original features not only a more soulful vocal performance but also funky horns and drums. Over 50 years later the question remains: just who were Bob and Earl? The duo originally consisted of Bobby Day and Earl Nelson (aka Jackie Lee), two singers who had previously recorded classics still
A funk superstar and a legendary Motown act team up to produce a 1980s R&B classic.
The eighties may have brought changes in soul and R&B, but Motown music remained a favorite among baby boomers (the success of 1983's The Big Chill film and soundtrack proved this fact). In 1982, the Temptations returned to their original label, Motown, after a brief tenure with Atlantic; to celebrate, the then-current members reunited with three former lead singers: Eddie Kendricks, David Ruffin, and Dennis Edwards. Looking to make a comeback, the group teamed with a seemingly unlikely producer: Rick James, the "punk funk" artist who was then at the peak of his popularity. What emerged from this collaboration was
This 2014 single demonstrates how old school R&B and modern hip hop can be merged to create timeless music.
Long a valuable behind-the-scenes player, Tank has penned and produced hits for top R&B artists such as Dave Hollister, Charlie Wilson, Jamie Foxx, and Kelly Rowland. His underrated solo material, however, has received comparatively less attention. A fusion of classic R&B and hip hop, Tank's work further impresses with his malleable voice and catchy hooks. These elements are on full display on the 2014 single "You're My Star," a standout from the album Stronger. Born Durrell Babbs in Milwaukee, Wisconsin before later moving to Clinton, Maryland, Tank honed his singing skills in the church choir. He got his start as
The final entry in DeepSoul's salute to the legendary singer looks at one of the more obscure - and underrated - tracks in his catalog.
By 1980, Bill Withers began collaborating with other artists; he subsequently scored one of the biggest hits of his career with 1981's "Just the Two of Us," a smooth track also featuring Grover Washington, Jr. A year before that single, however, Withers worked with the famed group the Crusaders on the track "Soul Shadows." The band's brand of smooth jazz-funk perfectly suits Wither's unadorned voice, resulting in a sophisticated song that should have received more attention upon its release. Due to ongoing disputes with his label Columbia, Withers was unable to record his own albums from 1979-1985. To remain in
The 1975 ballad typifies the soul singer's deeply personal songwriting and vocal style.
By 1975, Bill Withers was at a professional crossroads. His previous record label, Sussex, had collapsed, forcing him to sign with Columbia. While he subsequently released albums containing hits such as "Lovely Day" and "I Want to Spend the Night," Withers was unhappy with the label. He felt he had lost control over his material, thus in the late 70s/early 80s he focused on collaborations with the Crusaders and Grover Washington, Jr. After the unhappy experience recording 1985's Watching You Watching Me, Withers would depart Columbia and struggle with career direction. Before that stage, however, Withers seemed to be off
Infidelity, jealousy, and pain never sounded so good in this 1972 classic.
Bill Withers may be known for feel-good hits such as "Lean on Me" and "Lovely Day," but he could also speak of the darker sides of love, namely jealousy and betrayal. His 1972 cut "Who Is He (and What Is He to You)?" stands as one of the finest in the soul genre, with an unforgettable bass line and guitar riff (along with quivering strings) creating a sense of paranoia along with sorrow. For his masterpiece album Still Bill, Withers wrote most of the material. One exception is "Who Is He," a collaboration with lyricist Stanley McKinney. McKinney may have
DeepSoul celebrates the organic soul of the "Lean on Me" singer, beginning with this sensual slow jam.
Few artists embody the very essence of soul as much as Bill Withers, a consummate singer, songwriter, and musician. His lyrics are highly personal yet universal in theme, addressing romantic, political, and familial topics. Never oversinging, his voice can soar, only to descend into a grittiness that expresses deep emotion. He implemented his gospel roots, into his blending of soul and R&B (with a touch of folk), making Withers a standout among his peers in the 1970s. While Withers has largely retired from performing, his music is everywhere, still played on the radio, used in commercials, and incorporated into films.
This 1973 hit features a one-man-band, and has inspired numerous covers and hip hop samples.
AllMusic's Andrew Hamilton labels it "the cheapest Top Ten hit ever made." Regardless of its minimalist production, the 1973 single "Why Can't We Live Together" by Timmy Thomas ranks as one of the most unlikely and influential hits of the 1970s. Its hypnotic beat, Latin percussion, and heartfelt lyrics retain timeless appeal, with artists such as MC Hammer, 3rd Bass, Leaders of the New School, and (more recently) Drake sampling its distinctive elements. Born in 1944 in Evansville, Indiana, Thomas gradually honed his keyboard skills and later performed with jazz legends Donald Byrd and Cannonball Adderley. After a brief stint
Although primarily known as a rock band, Chicago have also proved themselves as superb R&B players.
By the late 1970s, the successful rock/pop/contemporary jazz fusion band Chicago was at a crossroads. Original guitarist, lead vocalist, and leader Terry Kath died tragically in 1978, forcing the group to rethink their sound and image. They hired guitarist/vocalist Donnie Dacus and recruited hit making producer Phil Ramone to helm the 1978 album Hot Streets, which spawned two top 40 hits: "No Tell Lover" and "Alive Again." For their followup, Chicago 13, the band and Ramone reteamed to create an album fitting the then-dominant disco sound. Critics despised the material, and longtime Chicago fans expressed horror at the group straying
For the next three columns, DeepSoul is spotlighting songs that have been frequently sampled by artists from various genres. "Take that funk inside of you / And make your body move," funk group Breakwater commands listeners. With a room-shaking beat, funky synthesizers, and blasting electric guitar, they encourage us to "Release the Beast." Originally released in 1980, the song found renewed attention when Daft Punk sampled it for their 2005 track "Robot Rock." Clearly the French DJs/producers glommed on to this lesser-known groove, as they actually altered it little for their own remake. In any case, the EDM stars shined
Celebrate the singer's legacy through classic tracks such as this perfect blend of jazz, pop, and soul.
On the same day as the Grammy Awards, the music community suffered a great loss. Al Jarreau, a gifted artist that seamlessly blended jazz, pop, and R&B, passed away February 12 at the age of 76. The only vocalist to win Grammys in the jazz, pop, and R&B categories, Jarreau never stopped exploring different musical genres while maintaining his distinctive singing style: rapid-fire scat and using his voice as a percussive instrument. Even when he charted crossover hits such as "We're in This Love Together" or even the Moonlighting TV theme, he never lost sight of his jazz roots. Such
He may have been best known for pop, but the singer/songwriter/producer had deep roots in R&B and even hip hop.
On Christmas Day, Generation X mourned the loss of George Michael, the pop wunderkind who first achieved fame as one half of the duo Wham! then launched an extraordinarily successful solo career with his 1987 album Faith. While predominantly known as a pop artist, few may recall that Michael stayed true to his blue-eyed-soul roots throughout his 1980s and 1990s heyday. Gifted with an incredibly supple voice, Michael could hold his own with Aretha Franklin and Mary J. Blige while occasionally covering songs by one of his idols: Stevie Wonder. On Faith, Michael displayed his deep love of soul through
Only Prince could have composed a Christmas song encompassing sexuality and sorrow, accompanied by a breathtaking guitar solo.
It seems only fitting that Prince should grace the final DeepSoul of 2016. Fans around the world mourned his untimely loss earlier this year, and continue to celebrate his vast legacy. Few may recall that Prince released a Christmas song in 1984: "Another Lonely Christmas," the B-side to the "I Would Die 4 U" single. This being Prince, however, the song hardly conjures images of smiling carolers or chestnuts roasting on an open fire. Instead, the lyrics chronicle a man mourning his lover's Christmas Day death. In an interview with NPR, Prince biographer Touré called "Another Lonely Christmas" an example
Dance music fans are mourning the loss of a house pioneer.
House fans are mourning the passing of Colonel Abrams, a 1980s club favorite whose best known hit remains 1985's "Trapped." In 2015, Abrams was found living on the streets suffering from diabetes; DJs (most notably Chicago house architect Marshall Jefferson) set up crowdfunding sites to raise money for his medical treatment as well as a possible comeback album, but he sadly passed from diabetes complications on November 24. It is indeed an unfortunate ending to a once promising career, as Abrams burned up dance floors with his deep, powerful voice and pounding beats. While "Trapped" may be his most famous
No longer "Beyoncé's younger sister," Solange finally finds her voice in this instant classic.
One of 2016's most outstanding -- and surprising -- releases is Solange's A Seat at the Table. Previously best known as Beyoncé's avant-garde younger sister, Solange had recorded two albums and an EP; all received mixed to positive reviews, but failed to equal the impact of her older sibling's work. A Seat at the Table changes this dynamic, as Solange establishes her unique voice not only vocally, but lyrically. Like Beyoncé's recent album Lemonade, Solange's work addresses African-American identity and specific issues concerning women's self esteem. Through her Minnie Ripperton-esque voice, Solange sounds both fragile and strong, laying herself bare